Thread for meta-commentary on trends in the fujoshphere, including but not limited to:
>The recent dearth of fujo-friendly IPs and the overall decline of female-targeted series>Observations and trends about fujo fan activities>Differences in fan culture between Japanese fujos, Korean/Chinese fujos, Western fujos and the rest of the world>Predictions or theories about the BL industryThis is not a thread for pro/anti discourse (
>>2521) or complaining about the genderspecial infestation (
>>541) - threads for those topics already exist.
I was looking at the stats for Comiket 103 and I couldn't help but notice a lack of fujo presence. Picrel is a list of the genre codes and the number of registered circles under them. The genre code is a category that each circle choose upon registration; they can be dedicated to a single franchise (eg 234 Touhou, 331 Kantai Collection, 335 Uma Musume, 222 VTubers) or encompass an entire category (eg 315 Romance, Social games for women which is where games like Ensemble Stars and Twisted Wonderland would fall). Some of them like 600 Reviews/Information or 611 Railways/Travel aren't related to manga/anime at all.
It's obvious that Blue Archive and VTubers swept this Comiket, with mainstays like Kantai Collection, Uma Musume, Idolmaster and Type-Moon ranking high. In other words, all franchises for men. On the other hand, the fujo mainstays like Tiger and Bunny and Touken Ranbu look puny in comparison. Yuri on Ice is a certified fujo classic but it lost its custom genre code last Comiket.
In comparison, the other picrel is a ranking of the most popular series from C89 which was winter 2015. The red bars are female-dominated genres, the blue are male and purple are unisex. From top to bottom: 1) KanColle 2) Touken Ranbu 3) Touhou 4) Idolmaster 5) Haikyuu 6) Kuroko no Basuke 7) Yowamushi Pedal 8) Love Live 9) Tiger and Bunny 10) Attack on Titan 11) Vocaloid 12) Fate series 13) Hetalia 14) Free 15) Blood Blockade Battlefront 16) Splatoon. This was the heyday of Touken Ranbu - it gave juggernauts like Touhou and IM#S a run for their money - and outside obligatory mainstays like KanColle and Idolmaster, fujo favorites dominated the charts.
What happened between 2015 and now? The trend of women (and by extension fujoshi) disappearing from Comiket hasn't gone unnoticed. But it's not as if women are making less doujin, it's that women are flocking to non-Comiket conventions - namely those hosted by the agency AkaBooBoo like Super Comic City. On the other hand, I feel like there is a slump in fujo activity because it's been a while since we've had a fleet of fujo powerhouses trending at the same time (compared to 2015). The mid-2010s wasa good time to be a fujoshi.